When Was There an Art Gallery in Oildale Ca

"The best mirror is an old friend."
–George Herbert

Jeff Colson, "Self Portrait," 1998, Charcoal on paper, 13.five x 11″

Throughout my transdisciplinary endeavors and research into the mechanisms of creative person emergence, I am elated to larn when an creative person friend achieves career recognition.One such individual is Jeff Colson, a noted gimmicky creative person represented by Ace Galllery, Beverly Hills, California.

Jeff, his brother Greg Colson, besides an internationally recognized artist, their younger brother Doug, now an accountant, and I go way back to the early on 1970s. We attended the same loftier school (North High), college (California State University, Bakersfield), and graduate school (Claremont Graduate University). Greg is my historic period and Jeff, a year younger.

Familiar Ground: Due north High School in Oildale, a modest customs northward of Bakersfield, California (c. 2009)

For almost four decades, we take stayed in impact and supported one another'southward respective careers hither, there, and beyond. Upon hearing of Jeff's recent award in being named a recipient of theJohn Simon Guggenheim Memorial Foundation Fellowship for U.S. and Canada Competition, Creative Arts – Fine Arts, 2012, I had to pause and reflect on the extraordinary journey, in which he and his brother Greg have embarked as contributors in the contemporary art discourse.

50-r: Jeff Colson, Jill Thayer, and Greg Colson with Bill Ryan during his exhibition at Jill Thayer Galleries at the Fox, Bakersfield, CA (c. 1996)

What Goes Effectually

Many years ago, both Jeff and Greg were kind to exhibit their work in the intimate infinite of Jill Thayer Galleries at the Trick, even equally their careers were converging on the LA and international art scenes. Our CSUB professors: Ted Kerzie, George Ketterl, and Michael Heivly; and NHS art teacher Bill Ryan showed in the gallery as well, and the Colson's were on mitt when schedules immune to back up their friends, colleagues, and mentors. In 2009, we exhibited in Protégé, a faculty and alumni show at California State University, Bakersfield, Todd Madigan Gallery. That aforementioned twelvemonth, nosotros collaborated with Edward Lightner, Deanna Thompson, and Thomas Trivitt in Oildale, an exhibition at L2kontemporary in Chinatown, reuniting young man Bakersfield art colleagues from decades by.

"Oildale," exhibiting artists at L2k gallery in Chinatown, l-r: Thomas Trivitt, Deanna Thompson, Jeff Colson, Greg Colson, Ed Lightner, and Jill Thayer with NHS art teacher Bill Ryan (2009)

fifty-r: Jeff Colson and Jill Thayer with Claremont Graduate Academy Art Professor David Amico at L2kontemporary. Colson and Amico are represented at Ace Gallery (2009)

Aside from the Colsons' quiet demeanor, humble nature, and exceptionally brilliant talent, they remain the aforementioned down-to-earth, proficient ole' boys today every bit I knew back so. Which makes information technology even more than gratifying to realize that my graduate path was initially blazed by the brothers a few decades earlier at Claremont Graduate University. Total circumvolve indeed.

" data-medium-file="https://jillthayer.files.wordpress.com/2012/05/jeff_jill_greg11.jpg?w=300" data-large-file="https://jillthayer.files.wordpress.com/2012/05/jeff_jill_greg11.jpg?w=461" class="wp-image-724" title="Jeff_Jill_Greg1" alt="" src="https://jillthayer.files.wordpress.com/2012/05/jeff_jill_greg11.jpg?w=270&h=202" width="270" height="202" srcset="https://jillthayer.files.wordpress.com/2012/05/jeff_jill_greg11.jpg?w=270&h=202 270w, https://jillthayer.files.wordpress.com/2012/05/jeff_jill_greg11.jpg?w=540&h=404 540w, https://jillthayer.files.wordpress.com/2012/05/jeff_jill_greg11.jpg?w=150&h=112 150w, https://jillthayer.files.wordpress.com/2012/05/jeff_jill_greg11.jpg?w=300&h=224 300w" sizes="(max-width: 270px) 100vw, 270px">

50-r: Jeff Colson, Jill Thayer, and Greg Colson nourish the memorial exhibition, "George Ketterl: The Concluding Paintings," at California State University, Todd Madigan Gallery (2010)

Protégé, an exhibition of faculty and alumni artists at California Land Academy, Bakersfield, 50-r: Jeff Colson, Michael Miller, Jill Thayer, and Greg Colson (2009)

That beingness said, it gives me peachy pleasure to annotation Jeff's distinction and recognition as an extraordinary creative person working in an always-challenging culture. Kudos, my friend.

Jeff Colson (2010)

JEFF COLSON RECEIVES GUGGENHEIM FELLOWSHIP

LOS ANGELES – April 2012 – Jeff Colson was recently awarded a John Simon Guggenheim Memorial Foundation Fellowship for U.S. and Canada Competition, Creative Arts – Fine Arts, 2012. The Fellowships assistance research and artistic creation for artists and scholars.

Colson's current piece of work in progress, Ringlet Upward, is a figurative sculpture of carved and painted woods. This "archetypal suitcase" is presented as a partially opened door of a storage unit replete with everyday items such equally file cabinets, an ironing board, lawn chairs, a tire, a stereo receiver, plastic containers, and other durables of consumer civilization. Colson notes, "The storage metaphor is an existential conundrum, the half-baked notion that if we get all our things in order we might actually keep living indefinitely. At that place is a furious futility to this accumulation of 'stuff,' the overabundance of questionably essential choices, and thinking these things just might come in handy former in the hereafter."

The artist's approach is a "memory-based idea with all its baloney," as constructs of the work are biographical from memory. Individually forged through Colson'due south own hand-crafted devises, the elements are carved, cut, sawed, sanded, painted, welded, and molded to replicate a relief of modules customized to fit snuggly within the confines of this manufactured receptacle.

The process is instinctual, immediate, and spontaneous yet expendable. Rather than appropriate an existing object, Colson makes it up as he goes forth, choosing to rely on a stream of consciousness methodology, which reveals interpretive flaws that intentionally lack hyper-realistic qualities. "I like working that fashion," the artist insists, adding, "at that place is an expedience to quickly knocking something out, as opposed to relying on what you happen to find."

Colson'south intent is not one of anti-reality, or a argument against ready-made or found objects. Nor is information technology a defensive gesture in reaction to art marketplace trends or the world in general. His acumen is organic, efficient, and honest.

Jeff Colson, "Roll Upwards," 2012, carved and painted wood (in progress)

Roll Up is a continuation in a body of work that the creative person has been developing for 12 years. The piece segued from a previous work entitled, Jumbo Cube (2007-2012), that was office of Colson's exhibition at Ace Gallery, Beverly Hills entitled, "Jeff Colson: Painting, Sculpture, Painting, Drawing," (Oct 23, 2010 – January 29, 2010).

" data-medium-file="https://jillthayer.files.wordpress.com/2012/05/cube1.jpg?w=300" data-large-file="https://jillthayer.files.wordpress.com/2012/05/cube1.jpg?w=461" class="wp-image-682" title="cube" alt="" src="https://jillthayer.files.wordpress.com/2012/05/cube1.jpg?w=243&h=187" width="243" height="187" srcset="https://jillthayer.files.wordpress.com/2012/05/cube1.jpg?w=243&h=187 243w, https://jillthayer.files.wordpress.com/2012/05/cube1.jpg?w=484&h=374 484w, https://jillthayer.files.wordpress.com/2012/05/cube1.jpg?w=150&h=116 150w, https://jillthayer.files.wordpress.com/2012/05/cube1.jpg?w=300&h=232 300w" sizes="(max-width: 243px) 100vw, 243px">

Jeff Colson, "Jumbo Cube," 2005-2012, Wood and Paint, lx" ten 60" x 60"

Autobiographical in nature, Colsonʼs piece of work is created from memory rather than existing objects and wields material in a mode that is both transcendent and humorous. Distortion and inaccuracy play a role, which he refers to as "wobbly logic." The complex sculpture, Colossal Cube, (2005-2010) appears to be an assemblage of assorted objects – some are intimately personal, others arbitrarily imagined – snuggly fit together like puzzle pieces to course a cube; in reality, the unabridged artwork is intricately carved out of woods and fiberglass and and then painted to resemble the realistic counter- parts from which the objects derive.[one]

"Jeff Colson: Sculpture, Painting, Cartoon,"Ace Gallery, Beverly Hills

Jeff Colson grew up near the oil fields simply n of Bakersfield, California. His father was a social worker whose do-information technology-yourself aesthetic, making everything from toys to homemade life jackets, informed Colson's ain identity as a "crackpot tinkerer." In his sculpture, Colson refers to both that quirky, by-the-seat-of-your-pants decision-making procedure and Modernism'southward purist grid. The sculptures are made from both personal and cultural memory, often without referencing specific objects or images. The resulting forms are familiar, merely aren't real. The cryptic quality of the "fabricated" object that is existent and isn't "real" registers the distortions of memory on "remembered" images and/or events.

Colson's sculptures are physical documents of remembered reality. The sense of history is also literal every bit each piece can take months, even years to make. Jeff Colson graduated from California State College, Bakersfield. His work is in the Drove of Count Giuseppe Panza di Buomo at the Museum of Contemporary Art in Los Angeles; the Sammlung Rosenkranz Foundation in Wuppertal, Deutschland; the Frederick R. Weisman Museum of Art at Pepperdine University in Malibu, California; and in the Los Angeles County Museum of Fine art'south permanent collection. He is represented by Ace Gallery in Los Angeles.[2]

"Jeff Colson, 2012 – United states of america & Canada Competition Creative Arts – Fine Arts," John Simon Guggenheim Memorial Foundation

Jeff Colson spent his early years in Oildale, California and graduated from California State University, Bakersfield. He attended Claremont Graduate University relocating to Los Angeles to pursue his art. Colson is represented by Ace Gallery, Beverly Hills, California and his work is exhibited internationally. He lives and works in Pasadena, California.

For more information on the work of Jeff Colson, encounter "Jeff Colson: Piece of work in Progress Teaser," a documentary film by Eric Minh Swenson on YouTube

When Was There an Art Gallery in Oildale Ca

0 Response to "When Was There an Art Gallery in Oildale Ca"

إرسال تعليق

Iklan Atas Artikel

Iklan Tengah Artikel 1

Iklan Tengah Artikel 2

Iklan Bawah Artikel